Modernism In Two Poems By Marianne Moore

[Author s Name][Tutor s Name][Class]21 February 2008Modernism in Two Poems by Marianne MooreIntroduction The most serious calculated composition today is still modernist . Modernism in publications is non easilysummarized , but the key elements are experimentation , anti-realism individualism , and a stress on the noetic rather than emotive aspects (Wills 24 . To some extent , Marianne Moore s songs The lean and A Grave real follow the discussed modernist principles , but it is difficult to agree that Moore all denies emotiveness and replaces it with modernist intellectual attributes . As a result , it is possible to assume that The tip and A Grave are the two examples of non-traditional modernist writing , in which experimentation , realism , and individualism are combined with idiotic writing techniques , complicated meter structure , and extreme emotivenessTo fail with , The look for and A Grave display vivid mistakableities in the tone of writing , and the use of exchangeable images The barnacles which encrust the case of the wave in The angle are evidently similar and are almost parallel to the blades of the oars / moving together reproducible the feet of piddle-spiders in A Grave : the unpleasant and almost tragic character of water in both poems is critical to thought the modernist implications of both poetic works . However , in to whole realize the scope and meaning of Moore s modernist verses , we should analyze each poem separately Repeated / evidence has proved that it can frizzy / on what can non revive / its youth . The sea grows sexagenarian in it (Moore 32 . This is where we face the complicatedness and incomprehension of modernist poetry What did Moore admiration to interpret with this passage ? Is it that she imagined personality in its full sense of purpo se which was not characteristic of tradition! al classical poetry ? It is more(prenominal) equiprobable that a thirty-year-old poet was striving to express her sympathies with the nature , which she persistently viewed as deeply abused .

The of nature s rage , its integrity , the sea as the source of physical injury and precise a terror to a human life - these are the signs of contemporaneity in Moore s writing . Having depicted nature as the threat of violence , Moore risked causing misinterpretation of the literary and beastly implications in The Fish . For many of those who have read The Fish violence in poetry may initially await unbefitting and con fusing . Yet this is not a commentator s fracture : Moore was really trying to show the nature in its role which bed on violence against human beings The water drives a w keenness / of iron through the iron edge / of the drop curtain , and the external marks of abuse (Moore 32 ) is the junto of nature s violence and the violence against nature it is the combination of the two contradictory elements , which is the distinguishing device characteristic of poetic modernismThe modernism of The Fish is in that Moore was actually trying to combine the incompatible images , allusions , implications , and ideas . The initially incompatible conjunction of accidental and purposeful is another distinguishing feature of modernism in...If you want to get a full essay, parliamentary law it on our website: BestEssayCheap.com

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